Gordon and his peers had no idea how drastically they were changing the course of jazz, "but," he told Rolling Stone' s Tesser, "we knew we were doing something different--something hip, something fly, something wild. He was always telling a story and Bird [saxophonist Charlie Parker] did the same thing.
There he was more comfortable, playing alongside other legends-to-be like Parker and trumpeter Dizzy Gillespie. They were playing the theme song, 'East St.
The Danish label SteepleChase released live dates from his mids tenure at the Montmartre Jazzhus. The decision was entirely understandable, though the Basie rhythm section was ideally suited to Wardell's brand of swing and, from a musical point of view, enthusiasts for his playing may regret his decision.
He had a substantial speaking part, and he also wrote and performed the score. The decline[ edit ] At around this time his recording sessions started becoming fewer—though a live session with Dexter Gordon, recreating the excitements of Central Avenue, and a studio session with Art Farmer and Hampton Hawes both on 18have fine examples of Wardell's playing.
He was always telling a story and Bird [saxophonist Charlie Parker] did the same thing. The —44 musicians' strike curtailed the recording of the Hampton, Henderson, and Armstrong bands; however, they were recorded on V-Discs produced by the Army for broadcast and distribution among overseas troops.
Tragedy seems to be a part of the game plan. The album went Platinum. Years later he described it vividly to Rolling Stone writer Neil Tesser: Dexter Gordon Biography starts with Dexter--or "Long Tall Dex," as the six-foot, five-inch jazz saxophonist was often called--was one of the primary innovators of bebop jazz and a perennial favorite of audiences and music critics.
It was there that he had his first brush with acting, which would become a second career, when he appeared in the film Unchained, an examination of the minimum-security system. Greater solo success[ edit ] His album, The Soul Cages was dedicated to his father, who had died.
The sensation of Gordon's return, renewed promotion of the classic jazz catalogs of the Savoy and Blue Note record labels, and the continued efforts of Art Blakey through s and early s, have been credited with reviving interest in swinging, melodic, acoustically-based classic jazz sounds after the Fusion jazz era that saw an emphasis on electronic sounds and contemporary pop influences.
The album's title is from William Shakespeare's Sonnet Th c cat had a natural sense of "cool" that made him the picture of the classic "jazz cat.
The saxophonist's triumphant reign of the jazz circuit continued throughout the late s and early '80s, but inhe made what he expected to be his final appearance. It was natural for the cat to want to be with his age group He spent his allowance on recordings by tenor sax master Lester Young.
The date produced some excellent sides, notably " Easy Swing " and " The Man I Love "; there is a reissue of the whole session, including alternate takes 2but a selection is available on He began studying clarinet at the age of 13 and moved on to alto sax two years later.
Byhe was recovered and soon he was recording a consistently rewarding series of dates for Blue Note. But over there, it's an entirely different mentality. But the blend came out original Dexter, with a wry, dry wit manifested in a penchant for incorporating the most incongruous of quotes into the fabric of his solos.
The stay in New York turned out to be short lived, as Gordon got offers for engagements in England, then Europe, that resulted in a fourteen-year stay. Music biz insiders packed an RCA studio control room to savor each passage as Dex and a cast of all-stars set down tracks His next project was a live album at his villa in Figline Valdarnoreleased as a CD and DVD as well as being broadcast on the internet.
Dexter Gordon Biography by Scott Yanow One of the outstanding tenor saxophonists in jazz history, and a major figure in bop known for his heavy doses of swing. Sep 06, · Dexter Gordon (February 27, – April 25, ) was an American jazz tenor saxophonist.
He was among the earliest tenor players to adapt the bebop musical language of people such as Charlie Parker, Dizzy Gillespie, and Bud Powell to the olivierlile.com: Tom Ford. Dexter Gordon was considered one of the greatest jazz saxophonists ever, During his heyday, namely ``80, he played tenor sax with many of the all-time jazz greats, including Lionel Hampton, Louis Armstrong, Billy Eckstine and many others.
Dexter Gordon® is widely regarded as the first musician to translate the language of midth century modern jazz - a.k.a. "bebop" - to the tenor saxophone.
Dexter Keith Gordon was born on February 27, in Los Angeles, California. Dexter Gordon (February 27, – April 25, ) was an American jazz tenor saxophonist. He was among the earliest tenor players to adapt the bebop musical language of people such as Charlie Parker, Dizzy Gillespie, and Bud Powell to the instrument.
Gordon's height was 6 feet 6 inches ( cm), so he was also known as "Long Tall Dexter" and "Sophisticated Giant".Labels: Blue Note, Savoy, Columbia. Dexter Gordon: Dexter Gordon, American bop tenor saxophonist.
As a youth Gordon played the clarinet and alto saxophone, but the improvising of Lester Young inspired him to play the tenor saxophone exclusively. He gained early experience in bands led by Louis .Short biography dexter gordon